Tuesday, July 3, 2018
"Anderson possesses a sniper’s eye for detail, filling his poems with taut, after-the-shot tension, which is not a feeling one expects in the parade of neighborhood tales through which he explores the ubiquitous political nature of families or the constantly morphing lessons of loss. Which is not to say this is a collection of haunting dread. There is a joy that moors the reader throughout, making Humming Dirges a collection of art that sorely wants to pick up the pieces it breaks off of you. In Anderson’s world the challenge isn’t simply that nothing is as it at appears, but that there is a lesson in every inch of each tale, even the puzzles missing pieces. Each of the poems presented in Humming Dirges bends to Anderson’s effortless strength at making any seemingly innocent moment turn on a dramatic, sometimes horrible dime. Simply put, Anderson possesses one of the surest, most steady hands I’ve seen commit an act of modern poetry."
- Scott Woods, author of Urban Contemporary History Month and We Over Here Now
"Geoff Anderson makes perfect poems. Emotionally-complicated and precisely-wrought, with images so sharp they might cut you open with their textures, the poems in Anderson’s Humming Dirges gift readers with an inside view of a family as it functions with the outside world and within itself. That is to say, Anderson uses the complexities of family to create a sometimes-uncomfortably accurate portrait of the society in which that family exists. And he’ll draw you in and make you one of his own for as long as the book lasts."
- Louise Robertson, author of The Naming Of and Teaching My Daughter My Language
"These poems view the world with a keen reflective eye. They challenge us to rethink what we've assumed about ethnicity, about loss, about history--the histories we're taught and the histories we live. With artful subtlety, Geoff leaves something distinctly other in the reader's view: Other than common, other than black, than white, than pretense. Frank and delicious."
- Rose M. Smith, Senior Editor, Pudding Magazine
Friday, April 20, 2018
"These poems are wholly original and loaded with compassion, intellect, and lyric interrogation. Shankar Narayan’s Postcards from the New World explores proximity, intimacy, identity, violence, and diaspora with a knowing, prophetic allure. I love these poems for their epistemological underpinnings and their graceful invention. Gorgeous surprises fuel this wonderful debut. Fiercely talented and equally humane, Narayan is one of my favorite new poets."
—Lee Herrick, Poet Laureate of Fresno, 2015-17
"These poems meditate on connection and dissolution, construction and deconstruction, selves and societies. In a violent historical moment, when rupture and brokenness (the breaking of bodies and the breaking of the word) are so evident, these poems announce a belief that there is (there has to be) some good, some light from a new sun. Narayan writes that “Entanglement means/what happens to you happens/to me,” not just as cosmic fact but as an ethical binding of various selves—the constructed energies of the speaker (abused by the world, consumed by idealism), the inherited and problematic threads of the world (traditions as tethers to a faraway land, the violent and virulent racism of America). In a song driven by words from our moment, Narayan has given us a compelling series of poems that will be worthy of rereading."
—Tod Marshall, Poet Laureate of Washington State, 2016-18
Wednesday, February 14, 2018
“Like Drowning walks the line between things said and not said. Moore’s language is sensual and honest, bittersweet, and as good as ‘sorghum on biscuits.’ Moore is an exciting new voice in poetry.”
—J. Bruce Fuller, Wallace Stegner Fellow and Author of The Dissenter's Ground
“Subtle, earnest, moving, and profound, Like Drowning is the portrait of a relationship that has already ended. The book reads like one poem, one finely sustained moment of reflection, so once I started, I could not put it down.”
—Blas Falconer, author of The Foundling Wheel
Wednesday, February 7, 2018
"A Crooked Door Cut into the Sky is shot through with loss, with the ways our bodies fail us, and with what we can’t—or don’t say. The speakers are daughters, wives, not-mothers, and they occupy domestic spaces in which “nothing is missing.” Indeed, everything is present in Melissa Fite Johnson’s elegiac collection, even the empty spaces: a remembered father, the children not to be born, the past that is at once long-gone and not gone at all."
—Maggie Smith, author of Good Bones
“Melissa Fite Johnson’s A Crooked Door Cut into the Sky is like a poetry photo album where poems appear like perfect snapshots of a life being lived. Johnson’s poems question “what it means to be human”—what we hold onto and what we let go. The narrative beauty of these poems lead us into a garden where branches “quilt patterns into the sky”—the possibility of becoming a parent and the experience of losing one. This chapbook grounds us in the past and present and connects the two worlds—leaving me thankful for this poet who opens the door for us to walk into her poems and join her.
—Kelli Russell Agodon, author of Hourglass Museum