Wednesday, February 14, 2018

Victoria Moore's "Like Drowning"




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Like Drowning walks the line between things said and not said. Moore’s language is sensual and honest, bittersweet, and as good as ‘sorghum on biscuits.’ Moore is an exciting new voice in poetry.”
J. Bruce Fuller, Wallace Stegner Fellow and Author of The Dissenter's Ground


“Subtle, earnest, moving, and profound, Like Drowning is the portrait of a relationship that has already ended. The book reads like one poem, one finely sustained moment of reflection, so once I started, I could not put it down.”
Blas Falconer, author of The Foundling Wheel

Wednesday, February 7, 2018

Melissa Fite Johnson's "A Crooked Door Cut into the Sky"



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"A Crooked Door Cut into the Sky is shot through with loss, with the ways our bodies fail us, and with what we can’t—or don’t say. The speakers are daughters, wives, not-mothers, and they occupy domestic spaces in which “nothing is missing.” Indeed, everything is present in Melissa Fite Johnson’s elegiac collection, even the empty spaces: a remembered father, the children not to be born, the past that is at once long-gone and not gone at all."

—Maggie Smith, author of Good Bones

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“Melissa Fite Johnson’s A Crooked Door Cut into the Sky is like a poetry photo album where poems appear like perfect snapshots of a life being lived. Johnson’s poems question “what it means to be human”—what we hold onto and what we let go. The narrative beauty of these poems lead us into a garden where  branches “quilt patterns into the sky”—the possibility of becoming a parent and the experience of losing one. This chapbook grounds us in the past and present and connects the two worlds—leaving me thankful for this poet who opens the door for us to walk into her poems and join her.

—Kelli Russell Agodon, author of Hourglass Museum